Magazine:
Civilization, August/September 1998
THE
FREUD FILES
By Von Hoffman,
Nicholas
A
long-awaited exhibit of fabled Freudiana comes to the
Library
WHEN
THE LIBRARY OF CONGRESS DECIDED TO put on a Sigmund Freud
exhibition, a fuss could have been anticipated--and a
fuss there was. Freud is a demode giant so out of step
with the modern tempo that the banshees scream whenever
his image is shown or his name is spoken. Not only is
he viewed in some circles as the man who made sex public
and love unromantic, he is your archetypal dead European
white man. Yet the Library's decision was fitting as well
as brave, as it is the single largest repository for Freud's
papers and those of his daughter, Anna. The Library's
Freud collection--on view in the Jefferson Building's
Northwest Gallery from October 15 to January 16, 1999--ranges
from 50,000 manuscripts to thousands of photographs to
home movies and other items.
None
of which makes Freud's whiteness less white or his Europeanness
less European. His writings reveal him to be undeviatingly
monocultural, an elitist who leaned on German philosophy
and drew from Greek art and mythology to fashion the allegories
that were the building blocks of his thought. "It's clear
from reading Freud," writes E. Ann Kaplan in the exhibition's
catalog, "how steeped he was in high culture and in the
great books of the Western canon. Less obvious is his
scorn for mass culture, for the Kitschik, as he would
no doubt have called it." How un-us can a guy be?
Not
surprisingly, the exhibition's curator, Michael Roth,
says, "There was some controversy raised by people who
call themselves revisionists, many of whom think of Freud's
influence as pernicious and that an exhibition on him
is a kind of honor and should not be what the Library
of Congress engages in. They circulated a petition that
was signed by many important scholars, asking that the
Library do a fair exhibition on Freud. I would have signed
the darn thing myself, and then I realized I was thc target
of it."
Roth,
associate director of the Getty Research Institute for
History of Art and the Humanities, has been at great pains
to play this one straight down the middle--if not in the
exhibit itself, which constitutes a more or less factual
narrative without much editorial comment, then in the
catalog, where the views and voices are varied and sometimes
not a little discordant. As Roth says, "I've had people
come up to me and say, 'I can't believe you have an essay
by this guy in there. He's so anti-Freudian,' and somebody
else'll come up and say, 'I can't believe an essay by
that guy He's so pro-Freudian or she's so pro-Freudian.'
It makes me feel I'm on the right track."
Whatever
one's opinions on the man and his work, his imprint on
daily life in America--a nation he looked on with some
distaste--is still profound. Though he may not have loved
us, at least for the fifty years after his first appearance
here in 1909, we loved him, or at least we took to his
ideas.
In
the years immediately after the Second World War, Freud
was standard fare in American medical schools, but his
influence in medical psychiatry has long since waned.
The rich allegories Freud used to delineate the workings
of the self or the soul have been somewhat abandoned in
favor of psychopharmacology, which uses drugs, not talk,
to treat patients. "We're moving," says a not untroubled
Roth, "from a model of a human being as someone who has
memory of some kind, which gives him a definition of his
individual self, to a view of the human self as being
constituted by a certain combination of chemicals."
Say
what you will of Freud--his understanding of the human
being was loaded with dramatic meaning and moral values.
Psychopharmacology throws the burden of finding meaning
and value back on the individual and his or her culture(s).
This therapy may prove too bracing for many people. At
some level or other, a view of the human as a vast congeries
of amino acids is just not very helpful. Freud will continue
to be of interest to men and women of a speculative, novelistic
or theatrical turn of mind.
As
therapy, however, the talking cure is often considered
too costly and time consuming to be of use to most people
suffering from distempers of the soul. At one time, more
was expected of psychoanalysis than that it serve as a
scratching session for rich people with spiritual eczema.
Robert Coles, writing in the exhibition catalog, quotes
Grete Bibring, a member of what he calls "the Freud circle"
of Vienna: "There was this larger world out there that
many of us worried about, and we hoped to change it, and
we thought of psychoanalysis as part of social and political
progress, not only intellectual progress. We hoped that
schools and hospitals and the prisons and the universities--we
thought our knowledge would change those institutions."
Now,
however, the institutions rely on psychoactive drugs,
not for treatment but for behavior "modification." And
not just institutions: There are days when I have the
impression every other person I meet is taking Prozac
or some other mood-altering chemical preparation. Yet
the use of these drugs cannot be entirely deplored, as
there is no doubt that they are lifesavers for many We
know that they can do quickly what months and years of
the talking cure can't.
Even
so, the talking cure is still with us in the multiple,
mass-produced versions of it, which go under the general
name of "therapy." Most of the thousands of therapists
plying their trade today are not Freudians. There are
so many of them, of whatever level of training or even
literacy, it's impossible to know the kind or quality
of service this industry provides its customers. All of
them, however, whether they know it or not, have been
influenced by the Viennese medical man, dead now for almost
60 years.
If
we draw up a list of words and phrases with a Freudian
tincture that educated and not-so-educated people use,
it's obvious how much this man's thinking has shaped our
own. "He created a vocabulary that was truly extraordinary,"
Roth says, justly. "What's science, what isn't science,
what is appropriate sexual expression and what isn't,
what does it mean to be self controlled rather than repressed.
Ail these things are going on anyway, but they get expressed
in a language of psychoanalysis and that makes a difference.
It changes the way people think and talk about certain
things that remain of great interest."
There
was a time when collegiate males could browbeat collegiate
females into bed by accusing the women of being repressed.
You can't get away with that kind of heavy handed use
of Freudian notions any more, but when one Freudian idea
seems to lose its power, another gains currency Certainly
recovered memory a Freudoid of little importance half
a century ago when repression was in fashion, has now
gained such a hold over us that we convict people in the
law courts on the strength of suddenly discovered recollections.
One
Freudian idea that people hold to now with greater certainty
is the existence of the unconscious. You can get into
an argument any day of the week about whether and what
kind of souls humans may possess, but the unconscious--this
belief in a shadowy, darker but powerful self--is taken
for granted. We know that it is not God or inhabitants
of the spirit world which come to us at night, but the
shapes and shades escaped from the murky depths of ourselves.
In
our time, Freud is often handed the blame for the various
forms of self-indulgent hedonism that supposedly corrode
the very paper the social contract is written on. Freud
himself would have been repulsed to see his teaching put
in the service of a personal, amoral and substantially
meaningless anarchism. Once upon a time, he did represent
a form of personal liberation. But that time has passed.
By
the 1970s, his daughter Anna was trying to make it clear
that Freudian psychology also addresses itself to what
happens when the brakes and the steering wheel stop working:
"In the early years of psychoanalysis we could take the
Super-Ego for granted; it was there, a big presence in
the lives of our analysands. Now, that is not always so---now
many of us are almost surprised when we meet someone who
wants to be analyzed and is driven by a stern conscience
that won't let go. Now it is the instincts that are--how
is it put these days?--all over the place, with no voice
within saying no, no, or maybe I should say, a mere whisper
compared to the past."
As
Karl Marx is not to blame for Joseph Stalin, so Freud
ought not to get the rap for our piggeries, our social
panics and personal turmoils. By now we should have reached
the point that we can consider him the remarkable and
original thinker that he was. The exhibition will underscore
the contested legacies of Freud's psychoanalysis. The
point is not whether Freud was correct in his specific
claims, but to show the pervasiveness of his approach
to finding meaning through an exploration of concealed
wishes.